There are many dimensions or layers in an artwork that arise from the ascetics of art making, but also from the physiological processes within the artist’s brain and their understanding of the world. While all art has hidden dimensions, not all art will speak clearly to the viewer. The underlying personal values and beliefs of an artist can’t help but underpin their artistic output and how they transmit this truth and power can affect the connection between a creative work and an audience. The author, Lyne Marshall, is a practicing artist who is passionate about exploring the artistic process and the journey from inspiration to the studio.

‘Open your mind to the possibilities that lie within your own creative spirit.’

Can the meaning of an artwork affect the visual perceptions of the viewer and change their philosophy in some way? There are many dimensions or layers in an artwork that arise from the ascetics of art making, but also from the physiological processes within the artist’s brain and their understanding of the world.

While all art has hidden dimensions, not all art will speak clearly to the viewer. The underlying personal values and beliefs of an artist can’t help but underpin their artistic output and how they transmit this truth and power can affect the connection between a creative work and an audience. This book, in addressing this bigger picture question, hopefully relates to all art production, in whatever forms they are produced, be it music, writing, painting, singing, dance, photography or any other creative expressions.

Utilises the work of a select group of artists and poets, as well as the author’s paintings and photographs, to illustrate how creative people, by finding their own hidden story, can change not only their own outlook but the perceptions of their audience.

pp. 80 colour plates First Edition #1018/0221