ART Conceptual Art –

Rosemarie Trockel (*1952) is widely regarded as one of the most important and influential conceptual artists in Germany. Her sculptures, collages, ceramics, knitted works, drawings and photographs are noted for their subtle social critique and range of subversive, aesthetic strategies—including the reinterpretation of “feminine” techniques, the ironic shifting of cultural codes, a delight in paradox, and a refusal to conform to the commercial and institutional ideologies of the art system.

There is a wholesome, libidinal pleasure—like a coy-yet-deliberate flash—to be derived from looking at these works. At a time when large swathes of conceptual art assume a crystal clear moral stance and a didactic tone, Trockel plays a different game. While her work often conveys identifiable sociopolitical positions—she is well-known for her feminist critiques of both male artists and feminism itself—her slyness and unpredictability as an artist make encounters with her oeuvre feel like a flirtation, rather than a lesson in how to be a better person.