1 v. : ill. (some col.) ; 22 cm. #181221

Sievers, Wolfgang, 1913-2007.  |  Photography, Artistic.

In Australia, Sievers opened a studio in South Yarra, Melbourne. After war was declared, he volunteered for the Australian Army and served from 1942 to 1946. Following demobilisation, he established a studio at Grosvenor Chambers in fashionable Collins Street, initially drawing many of his commissions from fellow European immigrants including the architect Frederick Romberg, and Ernst Fuchs who had arrived from Vienna. During his early years in Melbourne, Sievers became a lifelong friend of fellow émigré photographer Helmut Newton and his Australian actress wife June Browne, who later made photographs herself under the pseudonym “Alice Springs”.

Significant corporate clients included Alcoa, Australian Paper Manufacturers, Comalco, Hamersley Iron, John Holland Group, John Lysaght, Shell and Vickers Ruwolt. He also received commissions from architectural firms including Bates, Smart and McCutcheon, Hassall & McConnell, Leith & Bartlett, Winston Hall and Yuncken Freeman.^[2] In the 1950s, Sievers was engaged by the then Department of Overseas Trade with a brief to change Australia’s image from a land of sheep and wool to an image of a sophisticated industrial and manufacturing nation. Many of these images were published in the magazine Walkabout.

Sievers’ work after the war was imbued with the Bauhaus ethos and philosophy of the New Objectivity he had learned in Berlin, combined with a socialist belief in the inherent dignity of labour. His photographs were often overtly theatrical, as he commonly photographed industrial machinery at night, isolating details with artificial light and posing workers for heightened effect. This can be seen in ‘Gears for Mining Industry’ (1967), perhaps his most well known single image.^[3] Despite the contrived nature of many of these images,^[4] this approach was extraordinarily influential in Australian post-war commercial photography.

In 1989, the Australian National Gallery staged a retrospective of his work, an exhibition which travelled around the country, often accompanied by Sievers’ lectures. In 2000, he was the subject of a major retrospective exhibition held in Lisbon, Portugal at the “Arquivo Fotografico Municipal de Lisboa”. For his services to photography, he was appointed an Officer of the Order of Australia (AO) in 2002.

The National Library of Australia has an archive of more than 50,000 of Sievers’ negatives and transparencies.

Sievers was active in Australia, Germany and Austria with research into the emigration of war criminals to Australia from 1990 to 1998. In 2007, he donated several hundred photographs from his archive, worth up to A$1 million, to raise money for justice and civil liberties causes.^[1]

Wolfgang Sievers died at the age of 93, a month short of his 94th birthday.^[5][6]